
My Grandfather’s Body
by Walker James
CW: Sexual Assault, Holocaust/Genocide mention, Suicide Mention, Self Harm
1)
Location: Kitchenette, apartment in West St. Paul, 70 gaping decades after genocide, no, survival, no, the invention of the Atlantic?, no, what is the opposite of silence?
Time: what is the opposite of childhood? I recall street-lights shining in the curtains, a musty orange color, like the taste of wormy pears. I recall my neighbor’s television-sounds, newscasters muttering through the wall. I recall feeling hungry.
This reminds me of the time I held a bread knife to the base of my penis, how those pubic hairs rose like little Nazi salutes, how that sacrum looked like tired old Goering, wrinkles caging his face. Childhood fantasies alternated between killing and being killed, tattooing and being tattooed, raping and being raped.
Location: grandparents’ expensive apartment, sneaking into Papa’s bedroom, noticing his nightstand full of shiny wrappers of Hershey’s Kisses; they reminded me of false teeth winking inside the grins of men.
Time: middle of the afternoon, Sabbath, no, the opposite of Sabbath, moments after his latest PTSD episode, my wrist still bruised blue, how his body, upon Return, became just one syllable moving through the living room. I swear he returned invisible. I swear he returned with gills.
I remember watching my grandfather sleep, the dark eternity of his open mouth, the way he snored like a sea creature seeking the source of sunlight.
2)
I am sick of my dick writing
about the Holocaust. His forearm:
series of blackfish, cave paintings. I wonder
if archeologists will find my dick Papa’s forearm
and wonder what ink means? I wonder
if archeologists will still wear those gender-assigned clothing Indiana
Jones hats and carry State IDs little brushes and picks – or if everything
will be lasers. Will they understand tattoos? My body Papa’s
forearm a Rosetta Stone containing a language of grief? How do we trans
late violence? How do we speak of the body grief
in American dialects? I know – as a rumored scientific
man fact,
measured and re-measured, proven in the lab of childhood my grandfather’s eternal
suffering – that there is no word for forgiveness in the language of surviving having survived.
That concept is foreign to the forearmed. That concept does not exist
in the culture of sea creatures; Berlin sunlight is an exotic source.
3.
Location: Berlin (read: the opposite of my grandfather’s body)
Time: in the 1920’s (read: moments before a gaping decade wound)
provided sex-reassignment surgeries with taxes (read: for free). Sundown
was not yet shaped like an inverted triangle, gendered pinked. Somehow
we existed in finery, wearing our bodies like lavish furs, customizing
our mouths to fit the shapes of language. We fit perfectly inside of German
mouths. We slept soundly upon Polish
tongues. We built little apartments inside Austrian
molars. Even Adolf Hitler once used
the word Schwuchtel to create suicide wounds, but we knew scars
glowed with sunlight.
Walker James is a Queer writer living with a cat in St. Paul, Minnesota. They have been published in several magazines, including Stone of Madness, Tealight, and Versification. They are a poetry reader at Knight's Library and are currently working on a chapbook manuscript. Follow them @fscottnaruto1, if you want more!