
Dunce
by Shane Neilson
CW: ableism, ableist slurs
Let words reign again as they once did – not a poet of cripples, but of fucked
in the head, face turned corner-ward, cone on the crown. What was said
way back, when? Nothing new under the sun. Retard, dummy, tool, not all there,
slow, useless, I once was a nonce human of grunt, a corner hum. Stim is the song
of this dunce. At age forty-four, still I case each room for its corner. How better to know
a place than where to live within it as exile? Love to corners, the four points that form
the normal shape, squared sharp, my prison coordinates – I said love and I meant
it, because I’m a dunce with no self-pity. I licked you. I still do. You were tasty. Still are.
My resonating hum sent back at my hated blunt head, blank square standing on guard
for shame at the Pixieland Day Care Centre near Hubbard Avenue Elementary – ah,
the past as sound. Dunce! Once upon a time truth, as monster’s illumination, rose.
Fists curled, heated towards the sound. Yet what was once said as epithet – Dunce! –
now means a hallowed state, inaccessible to you and in excess of you; our sense
of time not your time; our coeval relation with objects not yours. This is yours: Dunce!
uttered as nonce name of a New Brunswick quarantine where love continues to grow
strange because it, too, cannot escape its four corners. Posture as silly-putty,
as Quasimodean hills like white elephants, as Lurch with a buffalo hump. I love like
this and I Dunce! like I love: with fingers pressed to lips and then to sky which is
a ceiling capping the north corner of my bedroom, father’s wood table blocking access –
You love like what? How am I in love? Like this: standing on guard in the corner
for beauty itself, as ugly transpires. Dunce! Ugliness of normal life. So many similar grunts
overheard, but coordinated as laughter. Not understanding corner pedagogy – an infinitely
recreated asylum, compass points marking normietown – I wanted love but learned to hate
my difference. Let’s call their reason beauty. So I stood in the corner with shame. Dunce! Let us
recover then, you and I, with the ceiling as our sky. Why ask why of darkness? Do this
with me, now. Identify a corner in your bedroom. Stand there for half an hour, as close
you’ll get to being a dunce & beauty for love prefers the conical hat. Slur manifestoes
of being in love with love; we mutter In love with love with lisps, stutters, muffled;
call us simpletons. Dunces. Go ahead. For we’re in love, and not like you, not like you
at all.
Shane Neilson is a disabled (mad, autistic) poet, physician, and critic from New Brunswick. He published You May Not Take The Sad and Angry Consolations with Goose Lane Editions this year. In the past, he has appeared in Poetry Magazine, Verse Daily, Literature and Medicine, and The Manhattan Review.