
All of the Boys Look the Same to Me
After Stevens, 1934
by Rob Colgate
In the club, darkness except for the light; in the light,
madness that was ready to write and ride him
like a drink. Pink madness, twink madness, the gay
gag and his gang of shredded ganglia. Sharp disorganization
which he would only call confusion, never delusion, never
illness or unwellness or broken stillness of brain and body,
cortex and corpus, striatum and stomach where fluid muscles
curdle the order and spoon. He considers
what disorder is abnormal;
no abs, no norms, just serum and weight, medicine and accumulation,
nucleus accumbens nuked by dope. How dope, how depressing,
and still he blanked, drank to be normal, to be nominally attractive
to the track of numinal boys in the back room, flash room, secret
swallowing for suckers who don’t have fucked synapses. He danced
like dopamine jumping gaps, saw like seeing wasn't gashed,
gyri gyrating until the gaps filled, the still spill between him
and another boy, his lover choice, salience of sexual stimuli
like hot butterflies—
Where was he? The dance club
heat, neural bleed, madness feeding his dance like vodka, comma,
delusion, danger, dissolving doorknobs from the dripping disorder
running down his neck to his hands. Check his wet pants for others’ hands,
no funny dance, no idea of order for a mad young man— just force pill,
drink spill, foreskin, door unhinged. From a fetus his fall foreshadowed,
four shadows dancing on the walls and he names them each:
Boy, Heaven, Penis, Kevin.
Kevin, what the hell— you perfect homosexual,
blessed neurotypical, white, thin, nights of gin that don’t end
in pins injected into the spine; once a month and all the visions
will cease to be visions, disorder, distance, disorganized
speech, the fourth primary criterion for derangement,
among delusion and disaster, a small dark boy
spearing doves into his ark like darkness.
Rob Colgate (he/him) is a Filipino-American poet from Evanston, IL. He holds a degree in psychology from Yale University and is currently pursuing his MFA in poetry with the New Writers Project at UT Austin, where he serves as the nonfiction editor for Bat City Review and is working towards a certificate in critical disability studies. His work is featured in Best New Poets 2020; his first chapbook, So Dark the Gap, was published by Tammy in March 2020 and won the 2020 ReadsRainbow Prize for Poetry. You can find him at robcolgate.com.