Two Poems

Parasite & Supernovae

by Maud Acheampong

Parasite

Supernovae

After Ross Gay’s Catalog of Unabashed Gratitude

I am waterlogged by the stickiness of August,

all her past summers dripping off my white 

tshirt. The air is wild and frivolous and the 

Sun is mid-burst — my face a blood-river.

Swollen purple clot of wine on my lips, 

nails dug into the golden afternoon of my 

Youth, its last sunset, I look at the horizon

drenched in honey and drift toward it.

Brave and afraid, I metamorphose into

a bowl of warm blackberries, a treacle 

jam, prickly with salt and history.  

Here at last, drinking in the sun. 

Maud Acheampong (they/them) is a Ghanaian-American Poet and New Media Performance artist interested in soft technologies like misery, ugliness, nostalgia and the way they manifest in our digital ecologies – for better or worse. Through Dainty Funk, their digital avatar and drag persona, Maud takes on monstrous forms and attempts to chronicle these assumed human phenomena with a digital lens. What does it mean for our bodies, our time, our pasts, to be so incredibly digitized? What of those archaic social constructs that bear no weight in the digital world? Or too much weight? Dainty Funk is that moment of connectivity – between beauty and beast, art and science, technology and feeling.