Public Works
by Joan Tate
Most poets work for the highway dept.
There are more of them than there are
Flies and engineers.
And I stink like a dead mule under an overpass.
– Frank Stanford “The Truth”
I keep my hands soft
for the people I meet after work
a lip against the hem of my jeans and teeth on the
steel of the belt she found on the common faded
like a stoned out nightjar
slurping up sweat
I am first to admit
I have fetishized manual labor, shaving the fields
with a gasoline scythe
and stubble on my jaw,
becoming the object
in the clutch of an action
like sex or dying
but I am not the only one
with a skull full of pebbles and bottle caps
puncturing my lips, bouncing off aviators
as hips twist left to right,
right to left, left to right, right to left
around the headstones or the curb line
my mind in my hands
and nothing on my mind
this is penance for my heterotrophic life this is
the realest fucking job I’ve ever had piloting the
trash truck and line trimming miles tugging up
morning glory and weeding in the heat strutting
through the parks, shorn by our hands my naive
faith in the common
the local brought to bear
yes
in the summers I work
with a man who calls me It
keeps a handgun in his truck, gas tank busted
and when his battery dies I jump it for him
to which he says thanks, looking at my tits
and I'd rather he call me a slur
than look me in the eye
but Sherb says he’s suffered enough to let things slide
and maybe she’s right, letting my skin turn
in the fields of Amherst
I let the trash truck careen
over potholes, on gravel fields past goldenrod in June
eerie as a witness
Sherb on the back like a kindergartner’s saint
her rough hands cutting through barrels
for change, cash, gems and tools,
the first time we met she told me just don’t think
cause we’re both queer I’m gonna like you
and then she beamed my name
and me and Michael reminisce about Virginia,
debate the merits of Sol Lewitt, Winslow Homer, Ari Aster
while shoveling watery shit from the parking garage
and when I get off I fuck an academic dyke
with 3 degrees who thinks it’s hot to get fucked by someone
who knows their body’s heft and muscle,
me and my 2 degrees, and the arms I’ve fed
hauling brush to a chipper
and tugging the liners out of trash cans each morning at 7
to feel rotten coffee
run down my leg
smelling it sour in my van at 3
when I go home, cook shakshuka, and sleep
12 hours, wake up and go again
and me and my foreman talk political bodies,
his love of guns, and the chemicals he handles for his job
of which he wouldn’t dream of complaining, and maybe it’s not my place but
do you know who takes your trash each week? do you know where it goes to
ferment? do you know how much these people get paid or how long you
could go without them?
I have a work crush on Joe,
with his bright polish hair and muscles, we paint
the kiddy pool with half a can of latex
while we talk dead friends, suicide and God, and
he palms me a rosary the day of my baptism and
the sun seems different
when you work her every day
power washing tennis courts with Sherb
an inch at a time
getting cajoled by the elderly
who want to play pickleball
until the washer explodes
nearly took us both with it
and we laugh off death
our jeans soaked through
and she tells me that life is too short
to justify yourself to anyone
so I guess this is a poem about pride
and Chris teaches me to drive a three wing mower,
and set design, the logistics of food trucks in LA,
Hippie Speedballs, and a dozen different hangover cures,
and Ian chucks tree trunks like wishbones, and Brian
plays bass to feed his dog,
and I walk in a bubble of strength
Sherb and I create, tightening the screws
on every bench in town, cleaning up Emily’s grave,
cigarettes and juul pods in a company truck,
toothpicks and hot fries and fumes that make us dizzy,
we smell like wet dog, never seen a plug in her ears
not once, that prize dyke, 5 foot 3 no change the way
her hands roll
through her buzz so easy
like the lead in a samurai movie
cause when the motors cut off among headstones
the voices ring out in our ears
and if heaven is a place you can get to
I have been
it’s a good butch
clapping you hard on the shoulder
to say you did good today honey,
and knowing for the moment it’s true
before we both clock out for good
Joan Tate is a southern poet currently living in Western Massachusetts. Her work can be found in magazines such as Prairie Schooner, b l u s h, antiphony, Rejected Lit, Little Mirror, and this one! She works as a tour guide at the Dickinson museum and probably wants to be your friend.