Two Poems

by Emily Lautch

up to the neck

what are you doing, she says

why are you going so slowly

i am seeing what it is like to wade instead of jump

for purposes of science

that’s no fun

i can’t say it’s fun,

but i am having a euphoric experience

and we’re here, on an island, and there are colored lights in the shower

god hates us, i say,

shrugging

she laughs a watery laugh

i want to kiss you

but i can’t

i have to practice not being impulsive

for purposes of science i wonder

it’s purer this way, she says,

not in a religious chaste sort of way,

i hope

i trace the outline of her lips with my thumb

wet from when she slips it into her mouth

i can’t say it’s fun

but i am having a euphoric experience

i finally reach her in the water

green glinting green in blue prism kaleidoscope light

are you going to put your head under?

oh to be the ocean, to lap her up

to be a droplet

i can baptize you, she smiles

i tell her i was secretly

allegedly

baptized in a small church in paris years ago

she lifts and holds me in the waves

i am turned i am tumbled

in her sea glass eyes

plug your nose, she says

and dunks me under

i come up to bright light and her whole face is laughing

i wonder if baptisms are sealed with a kiss

a kiss

a kiss

she leans down

lifting her body from the grotto

i inhale deep next to her ear

it makes me dizzy and sick

i can’t look her in the eye

i wonder if this is how the monks felt in their monasteries

carved in the cliff

when they got to talk to god

The Light, And Other Hallucinations

The moon abandons me and everything becomes

a narcotic. Wind blowing out light and

rain so hard metal things are being knocked around.

It’s ruthless the way downpour begs soil for newness

in twisted and desperate prayer. I loved you from below with

commas, and commas, and commas, and lime juice.

Deep back fields, barefoot and singing something about grass.

Held you up by your armpits on the cold Boston stoop I

clutched your hands as you gnawed the small wooden parrot figurine

meant for your grandmother, insisting the world would fall away.

That winter I planted thirteen gardenias in those same palms

so you would not slip on your sickness. You

loved me from above and sometimes threw down a shovel.

Kissing panela mouths tumbling down a hallway of

oranges. Days worth, hours, vibrating in tea gardens and

rescuing old dusty hidden dreams and fears.

Striking sun out of sky your ginger lips cried to me that I

was not the moon. I, return the sun’s light with equal intensity

my beloved circle keeps some of it for herself.

I listen to you weep and it sounds like bells it always

sounded like bells. I heard a black dog barking in the night

and shooed it away with golden onions like your Tita taught me.

You gifted me un-tempered objects—pearls and raindrops

suspended in roped air. My right arm twitches to the drops of

rain the way all things that move make music.

Gravity not being a given, gravity not being

a coincidence, and love being confused for gravity.

Sinking into my pile of seeds and symbols

no light reaches this cave. The moon abandons me and

everything becomes a narcotic. I do not sleep most nights.

Mattresses piled high like the princess from the books.

Instead of a pea—a seed, a pearl, a raindrop. An asterisk.

Emily Lautch (they/them) is a queer writer, poet, and photographer from Seattle, WA. They now live in Brooklyn, where they're working on their first book, Field Notes From A Gentle Archivist. They love pinecones, string theory, and lexical gaps. Instagram: @emilylautch